Audio Coders Should Be Versatile

In any game, audio is a vast system that must interact with a vast array of different parts of the codebase. Anything visible will almost always require audio, and game mechanics will almost always require supporting audio to assist or provide feedback to the player. There are cinematics to consider, as well as environments that require ambience to provide mood and immerse the player in the virtual worlds we are attempting to flesh out.

A good audio programmer must be skilled at sifting through various areas of code. They must use a light touch when integrating audio hooks and systems into other complex codebases with which they may have never previously interacted. The audio code must be robust and capable of coping with and maintaining its functionality as the surrounding system evolves. As a result, audio systems should be as self-contained as possible, requiring as little maintenance as possible. A good audio programmer should think about systems and architecture as well as audio, and be open to the methods that other programmers have used to implement their work.

A good audio programmer should think about systems and architecture in addition to audio.

Fundamentally, this means that an audio coder must be a good generalist, as they never know what kind of fresh genius or madness they will encounter when integrating into other game systems. Furthermore, given the breadth of audio’s presence in games, performance and optimization should always be at the forefront of their minds, even while still in early development.

For all of these reasons, a good audio programmer must maintain open and frequent communication with the rest of the programming team. When messing around in areas you don’t have a complete overview or understanding of, it doesn’t take much to break complex systems. As a result, sometimes the best way to know what to do is to ask, not least because it’s best not to step on other programmers’ toes! For these reasons, it is best to embed an audio programmer in both the main development team and the audio team in such a way that communication is both expedient and simple.

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